- Title
- "The Sequence of Motion and Fact": Cubist Collage and Filmic Montage in Death in the Afternoon
- Author/Creator
- Amy Vondrak
- Publication Details
- A Companion to Ernest Hemingway s Death in the Afternoon, pp.257-279
- Annotation
- Analyzes the relationship between Hemingway s work and the montage, focusing on the connections between Russian filmmaker Sergei Eisenstein s theories on omission and juxtaposition and Hemingway s characteristic iceberg style. Argues that Hemingway reshaped time by collapsing the past and present, and thus created a history that cannot be erased by death. Draws largely on the Old lady portions of chapters seven and twenty.
- Academic Unit
- Hemingway Bibliography
- Language
- English
- Resource Type
- Book chapter
- Record Identifier
- 991015136372303691
Book chapter
"The Sequence of Motion and Fact": Cubist Collage and Filmic Montage in Death in the Afternoon
A Companion to Ernest Hemingway s Death in the Afternoon, pp.257-279
2004
Appears in Hemingway Bibliography
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