A Companion to Ernest Hemingway’s Death in the Afternoon

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"I like you less and less": The Stein Subtext in Death in the Afternoon

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"The Sequence of Motion and Fact": Cubist Collage and Filmic Montage in Death in...

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Subject and Author: The Literary Backgrounds of Death in the Afternoon

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Introduction

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The Composition, Revision, Publication, and Reception of Death in the Afternoon

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Hemingway Works That Address the Bullfight

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The Legacy of Death in the Afternoon: Norman Mailer and Barnaby Conrad

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Deleted "Flashes": The Unpublished Photographs of Death in the Afternoon

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"Far from Simple": The Published Photographs in Death in the Afternoon

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"The Real Thing"? Representing the Bullfight and Spain in Death in the Afternoon

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"Very Sad but Very Fine": Death in the Afternoon s Imagist Interpretation of the...

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"Devout Againby Cynicism": Lord Byron and Don Juan in Death in the Afternoon

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" Qu tal, hombre, qu tal?": How Paratexts Narrow the Gap between Reader and Text...

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"Prejudiced through Experience": Death in the Afternoon and the Problem of Autho...