- Title
- Gangster Cinema on a Vaudeville Stage: George's Mediated Perception of Reality in Ernest Hemingway's 'The Killers'
- Author/Creator
- Wei Feng
- Publication Details
- CEA Critic, Vol.85(1), pp.14-30
- Annotation
- Guided by critical theories of framing and media analysis, Feng explores how "The Killers" reflected Hemingway's awareness of popular movies and cultural representations of criminals. By focusing on the perceptions of George as an alternate central character, and in contrast to traditional critical approaches centering on Nick, the story can be seen as oscillating between imagined realities (such as those seen in early gangster movies) and the surrealism and ironies of vaudeville.
- Academic Unit
- Hemingway Bibliography
- Resource Type
- Journal article
- Record Identifier
- 991015211983503691
Journal article
Gangster Cinema on a Vaudeville Stage: George's Mediated Perception of Reality in Ernest Hemingway's 'The Killers'
CEA Critic, Vol.85(1), pp.14-30
2023
Appears in Hemingway Bibliography
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