Abstract
Having begun with Wordsworth and Keats, Sullivan examines Allen Ginsberg's Howl and the advent of Microsoft Word's Track Changes as well as the digital archives of David Foster Wallace and Michael Pietsch's editorial reconstructions of The Pale King. Throughout, the project's visual apparatus- figures, diagrams, charts-is illuminating and accessible, particularly for the non-specialist reader. Because of its impressive breadth and approachable style, this project will appeal to many. While much of the book, particularly its middle chapters, will prove valuable to modernist studies, readers of Woolf will appreciate Chapter Five's illuminating account of To the Lighthouse and "A Sketch of the Past."